“Imagine the second time you watch an episode of your favourite show. There is the version that the writer had in their mind sitting in front of their laptop, the version that the director had surrounded by the production crew. There is the version that the actor had reading the script, and during rehearsal, and the one that they performed on the day of filming. The version that got recorded. There is the version you experience as you watch it for the first time, with all your own reactions and feelings added to the mix. The version of it that you remember afterwards. The reviews and fan responses online. Then the version you watch the second time, where nothing about the recorded version changes except that your memories of it, the time you've had to reflect on it, the knowledge of what already happens, changes it all.
“And now there's also the version of you imagining all this. So it can get complicated pretty fast.
“Or to put it another way... Trying to follow the relationship between David Bowie and Ziggy Stardust while trying to follow the relationship between Bowie and Stardust and Johnathan Rhys Meyers' character Brian Slade (a version of Bowie) in Velvet Goldmine, and his relationship to Maxwell Demon (a version of Stardust) in that film, and their relationship to Slade's fan and later investigator Arthur Stuart in that movie, and Stuart's relationship to the actor who portrayed him, Christian Bale, and Bale's relationship to Bruce Wayne, and Bruce Wayne's relationship to Batman. All at once.
“And trying to have a conversation with one person who is constantly becoming all of these people and back again.
“Would be one way to describe plureality, I guess.”
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